{"id":1893,"date":"2020-01-13T17:47:04","date_gmt":"2020-01-13T16:47:04","guid":{"rendered":"https:\/\/www.priceless-shaw.217-160-21-33.plesk.page\/?p=1893"},"modified":"2020-02-14T23:55:36","modified_gmt":"2020-02-14T22:55:36","slug":"las-mejores-peliculas-del-2019","status":"publish","type":"post","link":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/2020\/01\/13\/las-mejores-peliculas-del-2019\/","title":{"rendered":"Las mejores pel\u00edculas del 2019"},"content":{"rendered":"\n<p><strong>Las 50 mejores pel\u00edculas estrenadas en Espa\u00f1a en\nel a\u00f1o 2019 <\/strong><strong>(1)<\/strong><\/p>\n\n\n\n<table class=\"wp-block-table\"><tbody><tr><td>\n  <em>1. Par\u00e1sitos <\/em>(Bong Joon Ho)\n  <\/td><\/tr><tr><td>\n  <em>2. El irland\u00e9s<\/em> (Martin Scorsese)\n  <\/td><\/tr><tr><td>\n  <em>3. \u00c9rase una vez\u2026 en Hollywood<\/em> (Quentin Tarantino)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\n  <\/td><\/tr><tr><td>\n  <em>4. Historia de un matrimonio<\/em> (Noah Baumbach)\n  <\/td><\/tr><tr><td>\n  <em>5. Dolor y Gloria<\/em> (Pedro Almod\u00f3var)\n  <\/td><\/tr><tr><td>\n  <em>6. Joker<\/em> (Todd Phillips)\n  <\/td><\/tr><tr><td>\n  <em>7. Retrato de una mujer en llamas<\/em> (C\u00e9line Sciamma)\n  <\/td><\/tr><tr><td>\n  <em>8. Largo viaje hacia la noche<\/em> (Bi Gan)\n  <\/td><\/tr><tr><td>\n  <em>9. La favorita<\/em> (Yorgos Lanthimos)\n  <\/td><\/tr><tr><td>\n  <em>10. Lo que Arde<\/em> (Oliver Laxe)\n  <\/td><\/tr><tr><td>\n  <em>11. Ad Astra<\/em> (James Gray)\n  <\/td><\/tr><tr><td>\n  <em>12. The Farewell<\/em> (Lulu Wang)\n  <\/td><\/tr><tr><td>\n  <em>13. Nosotros<\/em> (Jordan Peele)\n  <\/td><\/tr><tr><td>\n  <em>14. An Elephant Sitting Still<\/em> (Hu Bu)\n  <\/td><\/tr><tr><td>\n  <em>15. Hasta siempre, hijo m\u00edo<\/em> (Wang Xiaoshuai)\n  <\/td><\/tr><tr><td>\n  <em>16. El libro de las im\u00e1genes<\/em> (Jean-Luc Godard)\n  <\/td><\/tr><tr><td>\n  <em>17. High Life<\/em> (Claire Denis)\n  <\/td><\/tr><tr><td>\n  <em>18. Los hermanos Sisters<\/em> (Jacques Audiard)\n  <\/td><\/tr><tr><td>\n  <em>19. La ceniza es el blanco m\u00e1s puro<\/em> (Jia Zhang-Ke)\n  <\/td><\/tr><tr><td>\n  <em>20. P\u00e1jaros de verano<\/em> (Ciro Guerra y Cristina Gallego)\n  <\/td><\/tr><tr><td>\n  <em>21. El traidor<\/em> (Marco Bellocchio)\n  <\/td><\/tr><tr><td>\n  <em>22. El hotel a orillas del r\u00edo<\/em> (Hong Sangsoo)\n  <\/td><\/tr><tr><td>\n  <em>23. Atlantics<\/em> (Mati Diop)\n  <\/td><\/tr><tr><td>\n  <em>24. Glass<\/em> (M.Night Shyamalan)\n  <\/td><\/tr><tr><td>\n  <em>25. Los dos papas<\/em> (Fernando Meirelles)\n  <\/td><\/tr><tr><td>\n  <em>26. The souvenir<\/em> (Joanna Hogg)\n  <\/td><\/tr><tr><td>\n  <em>27. Los d\u00edas que vendr\u00e1n<\/em> (Carlos Marqu\u00e9s-Marcet)\n  <\/td><\/tr><tr><td>\n  <em>28. Monos<\/em> (Alejandro Landes)\n  <\/td><\/tr><tr><td>\n  <em>29. Mirai<\/em> (Mamoru Hosoda)\n  <\/td><\/tr><tr><td>\n  <em>30. Leto<\/em> (Kirill Serebrennikov)\n  <\/td><\/tr><tr><td>\n  <em>31. La trinchera infinita<\/em> (Garao, Arregui y Goenaga)\n  <\/td><\/tr><tr><td>\n  <em>32. Uncut Gems<\/em> (Ben y Joshua Sadfie)\n  <\/td><\/tr><tr><td>\n  <em>33. Apolo 11<\/em> (Todd Miller)\n  <\/td><\/tr><tr><td>\n  <em>34. Border<\/em> (Ali Abbasi)\n  <\/td><\/tr><tr><td>\n  <em>35. Midsommar <\/em>(Ari Aster)\n  <\/td><\/tr><tr><td>\n  <em>36. Ray&amp;Liz<\/em> (Richard Billingham)\n  <\/td><\/tr><tr><td>\n  <em>37. Yo soy Dolemite<\/em> (Craig Brewer))\n  <\/td><\/tr><tr><td>\n  <em>38. Fourteen <\/em>(San Sallitt))\n  <\/td><\/tr><tr><td>\n  <em>39. Vengadores <\/em>(Joe y Anthony Russo)\n  <\/td><\/tr><tr><td>\n  <em>40. Libert\u00e9<\/em> (Albert Serra)\n  <\/td><\/tr><tr><td>\n  <em>41. Mientras dure la guerra<\/em> (Alejandro Amen\u00e1bar)\n  <\/td><\/tr><tr><td>\n  <em>42. The Nightingale<\/em> (Jennifer Kent)\n  <\/td><\/tr><tr><td>\n  <em>43. Maya<\/em> (Mia Hansen-Love)\n  <\/td><\/tr><tr><td>\n  <em>44. Clemency<\/em> (Chinonye Chukwu)\n  <\/td><\/tr><tr><td>\n  <em>45. En los 90<\/em> (Jonah Hill)\n  <\/td><\/tr><tr><td>\n  <em>46. La virgen de agosto<\/em> (Jon\u00e1s Trueba)\n  <\/td><\/tr><tr><td>\n  <em>47. La portuguesa<\/em> (Rita Azevedo Gomes)\n  <\/td><\/tr><tr><td>\n  <em>48. Bu\u00f1uel en el laberinto de las tortugas<\/em> (Salvador\n  Sim\u00f3)\n  <\/td><\/tr><tr><td>\n  <em>49. Rocketman<\/em> (Dexter Fletcher)\n  <\/td><\/tr><tr><td>\n  <em>50. S\u00faper empollonas<\/em> (Olivia Wilde)\n  <\/td><\/tr><\/tbody><\/table>\n\n\n\n<ul class=\"wp-block-list\"><li>Como cada a\u00f1o, elaboramos nuestro listado de forma ecl\u00e9ctica, esta vez con los datos combinados de las siguientes diez publicaciones en las que se combina la opini\u00f3n de la cr\u00edtica y la del p\u00fablico: <em>El puente rojo, Caim\u00e1n Cuadernos de Cine, Fotogramas, Cineman\u00eda, Filmafinitty, IMDb, Variety, Espinof y Metacritic.<\/em><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Como cada a\u00f1o, elaboramos nuestro listado de forma ecl\u00e9ctica, esta vez con los datos combinados de las siguientes diez publicaciones en las que se combina la opini\u00f3n de la cr\u00edtica y la del p\u00fablico: El puente rojo, Caim\u00e1n Cuadernos de Cine, Fotogramas, Cineman\u00eda, Filmafinitty, IMDb, Variety, Espinof y Metacritic.<\/p>\n","protected":false},"author":2,"featured_media":1895,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/posts\/1893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/comments?post=1893"}],"version-history":[{"count":1,"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/posts\/1893\/revisions"}],"predecessor-version":[{"id":1894,"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/posts\/1893\/revisions\/1894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/media\/1895"}],"wp:attachment":[{"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/media?parent=1893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/categories?post=1893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/priceless-shaw.217-160-21-33.plesk.page\/index.php\/wp-json\/wp\/v2\/tags?post=1893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}